Collection — Umbra Studios

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Oil on Canvas, 2024

Whispers of Shadow

Sophia Laurent · Paris, France

There are paintings that ask to be seen, and then there are paintings that ask you to listen. "Whispers of Shadow" belongs firmly to the latter — a monumental canvas that pulses with a quiet intensity, as if the pigments themselves are holding their breath. Laurent worked exclusively between 4 AM and dawn, painting in the half-light before the sun broke the horizon.

"I didn't choose the shadows — they chose me. Every morning I showed up and they told me what to paint."

The canvas is built from over forty layers of translucent oil paint, each applied wet-on-dry over weeks of patient curing. What appears to be solid black reveals constellations of deep violet and burnt umber when viewed closely.

Dimensions180 × 240 cm

Year2024

EditionOriginal

StatusAvailable

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Large Format Photography, 2024

Frozen Meridian

James Whitaker · London, UK

James Whitaker spent eleven weeks camped at 4,200 meters in the Swiss Alps. "Frozen Meridian" is a single exposure captured at -31°C on 8×10 film — a window of ninety seconds when alpenglow meets the blue hour in a way that defies prediction. He waited nineteen days for this moment.

"Mountains don't care about your schedule. You don't find the shot — you earn it by waiting longer than your patience allows."

The resulting print has a physical presence that digital captures cannot replicate — a weight, a grain, a dimensionality that makes viewers feel the cold radiating from the surface. Individual ice crystals on the ridge are visible at full scale.

Dimensions120 × 180 cm

Year2024

Edition1 of 5

StatusSold Out

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3D Printed Resin / Digital, 2024

Fragmented Reality

Elena Rodriguez · Mexico City, Mexico

Elena Rodriguez doesn't sculpt — she deconstructs. A hyper-detailed 3D scan of the artist's own face was algorithmically shattered into 2,400 fragments, each printed individually and reassembled to float three millimeters apart — close enough to suggest wholeness, far enough to make the fracture undeniable.

"We think identity is solid, but it's just fragments agreeing to stay in formation. I wanted to show what happens when they stop agreeing."

Installed in a darkened room with a single rotating spotlight, the sculpture casts fractured shadows that reassemble and dissolve continuously across the walls.

DimensionsVariable

Year2024

Edition1 of 3

StatusOn Loan

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Acrylic on Belgian Linen, 2022

Silent Reverie

Sophia Laurent · Paris, France

The painting that made Sophia Laurent impossible to ignore. Created during a residency at the Villa Medici in Rome — an enormous field of luminous violet and magenta built from over sixty coats of acrylic mixed from raw pigments sourced on the Amalfi coast: ground lapis lazuli, crushed cochineal, and hand-processed titanium white.

"I wanted to paint a feeling that doesn't have a name yet. The closest word I found was in Japanese — komorebi — the light filtering through leaves."

Awarded the Prix Marcel Duchamp in 2023 and permanently acquired by the Centre Pompidou. Critics have described the work as "the visual equivalent of a held breath."

Dimensions200 × 150 cm

Year2022

EditionOriginal

StatusMuseum Acquired

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Photography / Ink / Gold Leaf, 2023

Chromatic Dreams

Marcus Chen · Tokyo, Japan

Marcus Chen photographs flowers the way war photographers document conflict — with urgency and proximity. This triptych of extreme close-up botanical studies was shot in the abandoned greenhouses of a decommissioned botanical garden in Osaka, where self-seeding flowers had created an uncontrolled explosion of color untouched for over a decade.

"Nature doesn't need curators. Left alone, it creates exhibitions more beautiful than anything we could plan."

Each print was worked over with calligraphy brushes and 24-karat gold leaf — not as decoration, but as punctuation. Each gold fragment marks a point where Chen felt the photograph alone wasn't enough.

Dimensions90 × 120 cm (×3)

Year2023

Edition1 of 7

StatusAvailable

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AI + Gold Leaf on Washi, 2024

Ephemeral Bonds

Anika Petrov · Berlin, Germany

Petrov trained a neural network on 200,000 images of human hands — touching, reaching, holding, releasing. She then asked it to generate connections that don't exist: hands reaching across impossible distances, fingers intertwining with light. The machine hallucinated bonds between bodies that have never met.

"The machine doesn't understand love. But it understands patterns. And love, at its core, is just a pattern the universe keeps repeating."

Printed on 400-year-old handmade washi paper and painted over with gold leaf and sumi ink. The complete series sold out at Art Basel Miami and received the Baloise Art Prize.

Dimensions60 × 80 cm (×12)

Year2024

Edition1 of 1 each

StatusPrivate Collection

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Kinetic Sculpture, 2024

Gravity's Lament

Kofi Mensah · Accra, Ghana

A seventeen-foot kinetic sculpture built entirely from discarded materials — shipyard chains, burnt-out motorcycle engines, copper wiring from demolished colonial buildings. It sways with the wind, its rusted limbs groaning in what Mensah describes as "the earth trying to sing through the things we've thrown away."

"I don't create art from nothing. I listen to what's already been abandoned and give it permission to speak."

Installed permanently on the Accra waterfront. Fishermen leave offerings at its base. At sunset, when the Atlantic light hits oxidized metal, the entire structure glows like an ember.

Dimensions520 × 310 cm

Year2024

EditionUnique

StatusPermanent Install

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Generative AI × Human, 2025

Synaptic Bloom

Anika Petrov · Berlin, Germany

Petrov fed a neural network 40,000 photographs of dying flowers and asked: "What does beauty look like in the moment it stops trying?" Twelve generative images emerged — somewhere between photography and hallucination — then printed on handmade washi paper and painted over with gold leaf and ink.

"The AI didn't understand death. But it understood transformation. And that was enough."

The series sold out in eleven minutes at Art Basel. Three collectors wept at the preview. Petrov herself has never explained why she chose dying flowers. She says the work already did.

Dimensions50 × 70 cm (×12)

Year2025

Edition1 of 1 each

StatusSold Out

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Neon / Glass / Steel, 2023

Nocturnal Pulse

Yuki Tanaka · Osaka, Japan

Yuki Tanaka spent three years learning the dying art of neon bending from the last master craftsman in Osaka's Shinsekai district. "Nocturnal Pulse" is a room-sized installation of hand-bent neon tubes suspended within a cage of blackened steel and mirrored glass. The tubes pulse at a frequency matched to the average human resting heart rate — 72 beats per minute.

"Neon is the most honest light. It doesn't pretend to be natural. It announces itself as artificial and dares you to find it beautiful anyway."

Visitors report an involuntary sense of calm upon entering the space, as if the installation is slowly synchronizing their nervous system to its rhythm. The mirrored walls create infinite reflections, transforming a finite number of tubes into what appears to be an endless luminous heartbeat stretching into eternity.

DimensionsRoom-sized

Year2023

EditionUnique

StatusAvailable

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Mixed Media Installation, 2024

Cathedral of the Forgotten

Marcus Chen · Tokyo, Japan

Thousands of origami cranes, each folded from discarded love letters collected from flea markets across Japan, hang suspended in a decommissioned Tokyo print house. Infrared sensors trigger faint audio — fragments of the letters whispered in voices that belong to no one. The piece has made grown men weep and children laugh.

"Every letter was a promise someone couldn't keep. I wanted to give those words a place to rest."

Visitors walk beneath a ceiling of abandoned devotion, their footsteps echoing against concrete floors. Chen says both the tears and the laughter are the correct response. The installation is scheduled for a permanent home at the Mori Art Museum in 2026.

DimensionsFloor installation

Year2024

EditionUnique

StatusOn Exhibition

A Curated Sub-Collection

ECLIPSE by Umbra Studios

Collection : Eclipse · 2025

ECLIPSE is a meditation on silence, space, and balance. Rooted in minimalism, the collection explores the quiet tension between light and shadow — where form becomes emotion and absence becomes presence. Each piece is deliberately restrained, inviting contemplation rather than attention.

Created under the artistic direction of Umbra Studios, the works reflect a philosophy of reduction — removing the unnecessary to reveal something deeper, more enduring.

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Eclipse · Piece I of IV

SOLITUDE

Silence as Clarity

A solitary crescent cuts through darkness, suspended above distant, fading terrain. Solitude captures the stillness of isolation — not as emptiness, but as clarity. It reflects the artist's belief that distance sharpens perception.

There is no loneliness here. Only the sharpened awareness that comes from standing far enough away from the noise to finally hear your own thoughts. The crescent doesn't illuminate the landscape below — it simply acknowledges that the landscape exists, and that seeing it requires the courage to stand alone.

MediumDigital Composition

Dimensions80 × 100 cm

Year2025

StatusAvailable

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Eclipse · Piece II of IV

DUSK

The Space Between Endings

A blackened sun rests at the edge of an endless sea, its light barely breaking through. Dusk represents transition — the quiet moment between endings and beginnings. The artist frames time here as something fluid, not fixed.

This is the hour when the world exhales. The sun doesn't set dramatically here — it surrenders, slowly, without protest. The sea receives it without celebration. What remains is the most honest light of the day: the light that has stopped performing and simply exists, briefly, before disappearing entirely.

MediumDigital Composition

Dimensions80 × 100 cm

Year2025

StatusAvailable

III

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Eclipse · Piece III of IV

ORBIT

Harmony Within Proximity

Two forms intersect in silent motion. Orbit speaks to connection without chaos — relationships defined by balance, not collision. The overlapping shapes echo the artist's exploration of harmony within proximity.

Neither form dominates. Neither retreats. They exist in a state of perpetual negotiation — close enough to influence each other's trajectory, distant enough to maintain their own identity. It is the visual equivalent of two people who have learned that love is not fusion, but the grace of orbiting at exactly the right distance.

MediumDigital Composition

Dimensions80 × 100 cm

Year2025

StatusAvailable

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Eclipse · Piece IV of IV

ALIGNMENT

Order Without Force

Three bodies arranged with intention — nothing more, nothing less. Alignment is about order, structure, and the unseen forces that bring elements into coherence. It reflects the artist's disciplined approach to composition.

There is no accident here. Each element earns its position through relationship to the others. Remove one and the composition collapses. Add one and it suffocates. This is the mathematics of restraint — the understanding that perfection is not when there is nothing left to add, but when there is nothing left to take away.

MediumDigital Composition

Dimensions80 × 100 cm

Year2025

StatusAvailable

"Perfection is achieved not when there is nothing more to add, but when there is nothing left to take away."

— Antoine de Saint-Exupéry · The Guiding Principle of Eclipse

The Collection

Whispers of Shadow

Frozen Meridian

Fragmented Reality

Silent Reverie

Chromatic Dreams

Ephemeral Bonds

Gravity's Lament

Synaptic Bloom

Nocturnal Pulse

Cathedral of the Forgotten

ECLIPSE by Umbra Studios

SOLITUDE

DUSK

ORBIT

ALIGNMENT

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